Remake presents a double video projection, on a mutlidirectional screen which, in its form, is inspired by the technique of lenticular networks. A screen that receives on either side of its two sides, the two versions of the « psycho » film, on one side that of Hitchcock from 1960 and on the other that of Gus Van Sant from 1998. This screen becomes the object of a 180° wandering for the spectator who chooses his position or at least experiences each angle and point of view as he moves on each side of the screen. He can then reconstitute the two original films. Time is disrupted. The asynchrony of the two films questions us through the notion of remake, on the idea of a work in the history of cinema.